Carla Harren

Journey in Turkey (October 10 through October 25, 2017)

Day 3 and Day4

Day 3 – From Cappadocia. Thursday, October 12, 2017 (10:12:10) – Half Moon.

Some early birds went on an air balloon ride around the area. Some beautiful photographs were taken by Wim Groot Neulend (one of the group members). After breakfast, we went on a bus ride and sightseeing in Cappadocia area. Something I have never seen before in my journeys around the world.

The spiral energy movement flow of this day and evening:

The White Crystal Wind discovers, shares and gives expression to insight in openness and love.

The natural support of navigation and synchronicity in the spiral energy movement that brings magical timelessness as it grands All the key to realising your dreams to be challenged, strengthened and create an opportunity of making a conscious choice in whatever it may be in freedom. To awaken the awareness of catalyzing self-generative energy to transform or to heal whilst being centered, grounded and anchored in the breath of communication of truth, inspired, flexibility and changes.

 

Here are some photographs taken by Wim during his air balloon journey very early in the morning. Thank you for your sharing.

Some information about the area of Cappadocia via Wikipedia.

Cappadocia (/kæpəˈdoʊʃə/; also Capadocia; Turkish: Kapadokya, Greek: Καππαδοκία Kappadokía, from Old Persian: Katpatuka) is a historical region in Central Anatolia, largely in the Neysehir, Kayseri, Kirsehir, Aksaray and Nigde Provinces in Turkey.

According to Herodotus in the time of the Ionian Revolt (499 BC), the Cappadocians were reported as occupying a region from Mount Taurus to the vicinity of the Euxine (Black Sea). Cappadocia, in this sense, was bounded in the south by the chain of the Taurus Mountains that separate it from Cilicia, to the east by the upper Euphrates, to the north by Pontus, and to the west by Lyacaonia and eastern Galatia.

The name, traditionally used in Christian sources throughout history, continues in use as an international tourism concept to define a region of exceptional natural wonders, in particular characterized by fairy chimneys and a unique historical and cultural heritage.

Etymology

View of Cappadocia landscape

The earliest record of the name of Cappadocia dates from the late 6th century BC, when it appears in the trilingual inscriptions of two early Achaemenid kings, Darius I and Xerxes, as one of the countries (Old Persian dahyu-) of the Persian Empire. In these lists of countries, the Old Persian name is Haspaduya, which according to some researchers is derived from Iranian Huw-aspa-dahyu- “the land/country of beautiful horses”

Others proposed that Kat-patuka came from the Luwian language, meaning “Low Country”. Subsequent research suggests that the adverb katta meaning ‘down, below’ is exclusively Hittite, while its Luwian equivalent is zanta. Therefore, the recent modification of this proposal operates with the Hittite katta peda-, literally “place below” as a starting point for the development of the toponym Cappadocia.

Herodotus tells us that the name of the Cappadocians was applied to them by the Persians, while they were termed by the Greeks “Syrians” or “White Syrians” Leucosyri. (Personal Note this could also relate to the Planet Sirius as well).One of the Cappadocian tribes he mentions is the Moschoi, associated by Flavius Josephus with the biblical figure Meshech, son of Japheth: “and the Mosocheni were founded by Mosoch; now they are Cappadocians”.

Fresco of Christ Pantocrator on the ceiling of Karanlık Kilise Churches of Göreme.

Cappadocia appears in the biblical account given in the book of Acts 2:9. The Cappadocians were named as one group hearing the Gospel account from Galileans in their own language on the day of Pentecost shortly after the resurrection of Jesus Christ. Acts 2:5 seems to suggest that the Cappadocians in this account were “God-fearing Jews”. See Acts of the Apostles.

The region is also mentioned in the Jewish Mishnah, in Ketubot 13:11.

Under the later kings of the Persian Empire, the Cappadocians were divided into two satrapies, or governments, with one comprising the central and inland portion, to which the name of Cappadocia continued to be applied by Greek geographers, while the other was called Pontus. This division had already come about before the time of Xenophon. As after the fall of the Persian government the two provinces continued to be separate, the distinction was perpetuated, and the name Cappadocia came to be restricted to the inland province (sometimes called Great Cappadocia), which alone will be the focus of this article.

The kingdom of Cappadocia still existed in the time of Strabo (ca 64 BC – ca AD 24 ) as a nominally independent state. Cilicia was the name given to the district in which Caesarea, the capital of the whole country, was situated. The only two cities of Cappadocia considered by Strabo to deserve that appellation were Caesarea (originally known as Mazaca) and Tyana, not far from the foot of the Taurus.

The first stop was at the Three Beauties:

 

Personal note: a strange vibration occurred here like a driving force that collapsed and then rose again. What I saw here deeper where sacred gathering places like a labyrinth.

   

On the way, a natural sculpture of Mother and Child and a Camel.

 

We than walked to the Underground city of Kaymalki Yeralti Sheri:

Some extra information via Wikipedia.

The ancient name was Enegup. Caves may have first been built in the soft volcanic rock by the Phrygians, an Indo-European people, in the 8th–7th centuries B.C., according to the Turkish Department of Culture. When the Phrygian language died out in Roman times, replaced with Greek, to which it was related, the inhabitants, now Christians, expanded their underground caverns adding the chapels and inscriptions. The city was used in the Byzantine era for protection from Muslim Arabs during the Arab-Byzantine wars (780-1180). The city was connected with Derinkuyu underground city through miles of tunnels. Some artifacts discovered in these underground settlements belong to the Middle Byzantine Period, between the 5th and the 10th centuries A.D. These cities continued to be used by the Christian inhabitants as protection from the Mongolian incursions of Timur in the 14th century. After the region fell to the Ottomans, the cities were used as refuges (καταφύγια) from the Turkish Muslim rulers, and as late as the 20th century the inhabitants, called Cappadocian Greeks, were still using the underground cities to escape periodic waves of Ottoman persecution. Dawkins, a Cambridge linguist who conducted research on the Cappodocian Greeks in the area from 1909-1911, recorded that in 1909,

“

when the news came of the recent massacres at Adana, a great part of the population at Axo took refuge in these underground chambers, and for some nights did not venture to sleep above ground.

”

When the Christian inhabitants of the region were expelled in 1923 in the Population exchange between Greece and Turkey the tunnels were abandoned.

Description

The houses in the village are constructed around the nearly one hundred tunnels of the underground city. The tunnels are still used today as storage areas, stables, and cellars. The underground city at Kaymakli differs from Derinkuyu in terms of its structure and layout. The tunnels are lower, narrower, and more steeply inclined. Of the four floors open to tourists, each space is organized around ventilation shafts. This makes the design of each room or open space dependent on the availability of ventilation.

A view showing several floors at once.

A stable is located on the first floor. The small size of the stable could indicate that other stables exist in the sections not yet opened. To the left of the stable is a passage with a millstone door. The door leads into a church. To the right of the stables are rooms, possibly living spaces.

Located on the second floor is a church with a nave and two apses. Located in front of the apses is a baptismal font, and on the sides along the walls are seating platforms. Names of people contained in graves here coincide with those located next to the church, which supports the idea that these graves belonged to religious people. The church level also contains some living spaces.

A remarkable block formation of andesite (a volcanic rock) with several holes, used in Kaymakli for cold copper processing.

The third floor contains the most important areas of the underground compound: storage places, wine or oil presses, and kitchens. The level also contains a remarkable block of andesite with relief textures. Recently it was shown that this stone was used for cold-forming copper. The stone was hewn from an andesite layer within the complex. In order for it to be used in metallurgy, fifty-seven holes were carved into the stone. The technique was to put copper into each of the holes (about 10 centimetres (3.9 in) in diameter) and then to hammer the ore into place. The copper was probably mined between Aksaray and Nevesehir. This mine was also used by Asilikhoyuk, the oldest settlement within the Cappadocia Region.

 

The high number of storage rooms and areas for earthenware jars on the fourth floor indicates some economic stability. Kaymakli is one of the largest underground settlements in the region. The large area reserved for storage in such a limited area appears to indicate the need to support a large population underground. Currently only a fraction of the complex is open to the public.

Afterwards a cool refreshment of oranges and pomegranate

 

plus, a lovely lunch at a restaurant.

 

Afternoon “Pasabag” – Monks Valley

Pasabag in Cappadocia is located on the road to Zelve, coming from Goreme or Avanos. Highly remarkable earth pillars can be seen here, in the middle of a vineyard, hence the name of the place which means: the Pacha’s vineyard. Pacha means “General”, the military rank, in Turkish and it is a very common nick name. This site is also called Monks Valley. The name was derived from some cones carved in tuff stones which stand apart. Currently, there is a vineyard and a number of tuff cones standing right next to the road. Some of these cones split into smaller cones in their upper sections, in which stylites and hermits once hid. The hermitage of Simeon monks was also here. A chapel dedicated to St. Simeon (Simon), and a hermit’s shelter is built into one of the fairy chimneys with three heads. The entrance of the cell is decorated with antithetical crosses. Saint Simeon was living in seclusion near Aleppo in the 5th century, when rumors that he made miracles started to spread. Disturbed by all the attention, he began to live at the top of a 2m high column, and later moved to one 15m in height. From there he only descended occasionally to get food and drink brought by his disciples. The hermits of Cappadocia distanced themselves from the world by cutting into fairy chimneys rather than living on top of columns. They hollowed out the chimneys from bottom to top creating rooms at 10-15m high. Pasabag valley contains some of the most striking fairy chimneys in Cappadocia with twin and even triple rock caps. This style is unique even for Cappadocia and these fairy chimneys are named mushroom-shaped fairy chimneys.

 

 

Back to the Hotel, first a walk to watch the sunset and than dinner plus a well deserved dream and sleep.

 

 

Day 4 – Cappadocia area. Friday, October 13, 2017 (10:13:10).

The spiral energy movement for this day and evening:

Blue Cosmic Night endings and a fresh new beginning to connect to surroundings in Presence of abundance.

The natural supportive spiral movement energy flow of inner guidance and fearlessness to ask questions and answers will be given to be in wisdom which brings the movement of accomplishment and understanding of what is needed to be healed whilst facing the challenge, strengthening and opportunity of the courage to discover and explore in wakefulness. Than may we awaken in the conscious flow of Insight reflecting the truth of Cosmic Order to be wholly centered, grounded and anchored in a Silence of the Intuitive Experience of Abundance that surrounds us All in the Now.

 

In the morning, we visited Uchisar to meet two wonderful persons who still reside in the caves. The man showed me different kinds of gem stones but none of them called. At the end, we all drank some tea or refreshments in his home and I gave him one of the Q’ero Ceremonial Soldalite Crystal Skull as a gift for him and his wife.

Here are some foto’s Wim made and another group member.

 

 

In the afternoon, we went to the Goreme Open Air Museum. Hereby more information.

GOREME OPEN AIR MUSEUM

The Goreme Open-Air Museum resembles a vast monastic complex composed of scores of refectory monasteries placed side-by-side, each with its own fantastic church. It is obviously the first sight to be visited by any traveler in Cappadocia, standing as it does in the very center of the region with easy access from all directions. It is only 15 minutes walk (1.5km, 1 mile) from Goreme village center. It contains the finest of the rock-cut churches, with beautiful frescoes (wall paintings) whose colors still retain all their original freshness. It also presents unique examples of rock hewn architecture and fresco technique. The Goreme Open Air Museum has been a member of UNESCO World Heritage List since 1984, and was one of the first two UNESCO sites in Turkey.

The area covered by this Open Air Museum forms a coherent geographical entity and represents historical unity. There are eleven refectories within the Museum, with rock-cut churches tables and benches. Each is associated with a church. Most of the churches in Goreme Open Air Museum belong to the 10th, 11th and 12th centuries.

The entrance fee to the museum is 25 TL per person. In summer, it is better to visit the museum early in the morning or late afternoon, instead of mid-day.

There are many churches and chapels in Goreme Open Air Museum but the most important ones are:

Nunnery The 6-7 storey rock mass to the left of the museum entrance is known as “the Nunnery”. The dining hall, kitchen and some rooms on the first floor, together with the ruined chapel on the second level, can still be visited. The church on the third storey, which can be reached through a tunnel, has a cruciform plan, a dome with four columns and three apses. The templon on the main apse is rarely found in Goreme’s churches. Besides the fresco of Jesus, painted directly onto the rock, designs painted in red can also be seen. The different levels of the monastery are connected by tunnels, and “millstone doors”, such as those found in the underground cities, and were used to close off these tunnels in times of danger.

St. Barbara Church

 This church is situated behind the rock housing Elmali (Apple) Church. It has a cruciform plan, with two columns. The north, south and west arms of the cruciform are barrel vaulted, and the center, the east arm, and the east corners are domed. There are a main, central apse and two side apses. Motifs were painted in red directly onto the rock. The walls and the dome are decorated in a variety of motifs including geometrical patterns, mythological animals and military symbols. The walls also have motifs resembling stonework. This church dates back to the second half of the 11th century.

Apple (Elmali) Church

 One of the most prominent buildings in the area with its vivid colors, the church is a groin-vaulted structure with cross-in-square plan, having four columns and a central dome. It has beautiful frescoes dating to the 11th and 12th centuries. And where these have fallen off, you can see simple red-painted ornaments from the iconoclastic period. The frescoes are narrating scenes from the Bible and the life of Christ, the Hospitality of Abraham and Three Hebrew Youths. The building derives its name from the apple orchard collapsed a long time ago, in front of the main entrance.

Snake (Yilanli) Church

This church has a linear plan, consisting of two chambers. The front section is barrel-vaulted, while the back one has a flat ceiling. The red ochre ornaments imitate hewn stone plait. Frescoes dated to the 11th century, are painted directly on the wall. Opposite the entrance, there is an image of Christ with a book in his hand, and at his left, on both sides of a large cross, are Emperor Constantine and Helena. Right next to it, the Killing of the Snake by St. George and St. Theodore is depicted. On the opposite wall, Onophrios can be seen with a sapling in front of him, also the Apostle Thomas, and the founder of the building, St. Basileios holding a book in one hand and sanctifying with the other.

Dark Church (Karanlik Kilise)

The entrance to this church is from the north through a winding tunnel which opens into a barrel-vaulted narthex. You have to pay an extra admission fee (8 TL per person) but it is surely worth it. In the south of the narthex there are three graves, two of which are big and the other, small. The church has a cross plan, the arms of the cross having a diagonal vault. The templon of the main apse has been destroyed. This Church dates to the end of the 12th century. Some of the scenes on the walls are Deesis, Annunciation, Journey to Bethlehem, Nativity, Baptism, Raising of Lazarus, Transfiguration, Entry into Jerusalem, Last Supper, Betrayal of Judas, the Crucifixion and Anastasis.

Carikli (Sandals) Church

This two columned church (two other columns being in the form of pillars), is cross vaulted, and has three apses and four domes. The well preserved frescoes show the life of Jesus, Hospitality of Abraham, and images of the saints and the donors of the church. Although it resembles both the Karanlik (Dark) and Elmali (Apple) Churches, the scenes of the Way of the Cross and the Descent from the Cross make this church different from the others. The figures are generally large. The footprints under the Ascension scene give the church its name, which means “with sandal”. The church dates back to the end of the 12th and the beginning of the 13th centuries. The center dome houses a picture of Jesus the Pantocrator with the busts of angels in the insets. On the central apse is Deesis, on the north apse Mary and the Baby Jesus, and on the south apse, a picture of St Michael.

Buckle (Tokali) Church

  Even though Tokali church is located down the museum around 50 meters, you can visit the church with the same ticket that you used for Goreme Open Air Museum. It is a complex made up of 4 main chambers. The entrance to the New Church having a rectangular plan with longitudinal axis is made through the barrel-vaulted single-naved Old Church. This rock settlement is divided with arches into three sections. Containing the most important samples of paintings, the building has been decorated in various periods. In the Old Church section, frescoes dated to early 10th century, painted in bands of rich red and green, represent scenes from the Bible. The indigo dominating the main chamber frescoes in the New Church, is a feature discerning the structure from the others. Among the rock churches in Cappadocia, Tokali has the best paintings narrating the life of Christ in the most detail. The church is decorated with the Infancy (childhood of Christ), Ministry and Passion cycles, with several episodes from the life of St. Basileios. One of the most prominent buildings in the area with its vivid colors, the church is a groin-vaulted structure with cross-in-square plan, having four columns and a central dome. It has beautiful frescoes dating to the 11th and 12th centuries. And where these have fallen off, you can see simple red-painted ornaments from the iconoclastic period. The frescoes are narrating scenes from the Bible and the life of Christ, the Hospitality of Abraham and Three Hebrew Youths. The building derives its name from the apple orchard collapsed a long time ago, in front of the main entrance.

We also visited a tapestry factory. Here are some pictures of this that Wim made. I was in awe of the artistry here that is very Ancient.

 

After this we went back to the Hotel for dinner. In the evening, a small group went to a special dance evening. Wim had made some photos of it. There were various traditional dances from different regions plus an artistic belly dancing. The Dervish dance unfortunately did not really make an impression. We all fully enjoyed the evening.